
There’s really nothing more to say about this…
February 21st, 2010Eat up.
January 3rd, 2010Modern mental health professionals consider geophagy, the practice of consuming soil, to be a mental disorder.
Others consider it to be art: via Edible Geography comes tell of artist Laura Parker’s Taste of Place project, where individuals are invited to taste soil as a way of understanding its relation to food production.
Urban Crude Roadtrip…
December 27th, 2009Urban Crude…
November 15th, 2009
…the Oil Fields of Los Angeles is currently on display at the Center for Land Use Interpretation’s Los Angeles exhibit space at 9331 Venice Boulevard, Culver City. The exhibit is open every Friday, Saturday and Sunday from noon to 5pm.
My empire of dirt…
October 1st, 2009…is about to get technical classification courtesy of Homegrown Evolution. Erik Knutzen’s blog recommends The U. Mass (not that U. Mass) Soil and Plant Tissue Testing Service for inexpensive quantitative soil testing.
While the service is intended for those that want to grow stuff, the pH ($5) and Soil Texture Classification Tests ($60) should be well suited to those dabbling in mud construction who need more sophisticated soil analysis than is offered by the jar test. The Textural classification used by the U. Mass service is anecdotally less exact than chemical analysis, but $60 is a bargain compared to sending soil samples to a California geotechnical lab for similar testing.
Edit:
Wallace Engineering in El Segundo offers the same tests for less bucks. For example, here are two that might be of interest to mud construction enthusiasts:
- Testing for pH, salinity and presence of lime. $20/sample.
- Soil texture testing – sand, silt and clay percentage and gravel. $25/sample
Fall Adobe Classes…
August 16th, 2009No person shall in any manner…
July 6th, 2009…tape or secure any boat to any tree, shrub, post or other object in or on any park or parkway without a special permit from the superintendent of parks as provided for hereinafter.
That’s Minneapolis City Ordinance PB4-86, which ended the Mississippi river adventure of Claire Boucher and William Gratz.
Adobe Buildings of Southern California
July 5th, 2009If this blog has any purpose whatsoever…
June 16th, 2009…(opinions vary) it is to explore the relationship of the extraordinary and the mundane, with particular focus on the built environment. Few professions have the creation of extraordinary experience as their goal quite like architectural practice, (Art, Magic, Pornography? … all allied arts in my opinion) likewise there is nothing more mundane and horrifyingly dull than building codes. This Sunday’s New York Times carries the story of an ongoing conflict between a Pennsylvania Amish group and local sanitation authorities. Stories such as these have been occuring frequently in national news outlets since they are stretch between the rhetorical poles of free religious practice and governmental authority – I’m going to set aside the issue of religious freedom since it is a bit of a canard (while relevant it is not properly architectural) and in posts over the next couple weeks want to touch on a couple other dimensions of this topic:
- Building codes and their relationship to the nature of occupiable space.
- The relationship between owner-occupants and code enforcement bodies.
- Use, manipulation and codes in architectural practice
Elevated Descent…
June 14th, 2009
…the Helipads of Downtown Los Angeles is now open at The Center For Land Use Interpretation’s Los Angeles space. Architecture happens at the collision of finance, regulation, culture and aesthetic intent (with aesthetics in all cases a minor contributor); CLUI’s exhibit studies the ramifications of the perhaps unique requirement that buildings over 75′ in height be provided with a helipad for use in emergency situations. As has been previously noted, the result of Section 57.118.12 of the Los Angeles Municipal Code has been the vertical abbreviation of the City’s high-rises. Where the skylines of other world cities are characterized by spires and antennae, Los Angeles, the allegedly archetypical horizontal city, is a landscape of stumpy blocks. High above the streets below, a terrain of elevated platforms waits patiently for the anticipated fire, earthquake, terrorist attack or alien invasion that necessitated their existence.
